Puberphonia · The voice questions you couldn’t explain

“Why is my voice
still so high?”

  • “Why do I sound like a girl when I’m an adult man?”
  • “Why does every other guy’s voice seem deeper than mine?”
  • “My son is 25. Why hasn’t his voice broken?”

There is a real voice condition called puberphonia. Also known as mutational falsetto, it describes a high or falsetto speaking pattern that persists after the expected voice change at puberty.

You may never have met someone with the same experience, or known there was a name to look for. This is a place to start finding answers.

A high voice can have other explanations, including natural variation. A voice specialist can help work out which fits.

Paper collage of overlapping profiles and flowing ribbons, illustrating one person experiencing two versions of his voice
A question you may
have carried for years.
Understand your voiceFind the right help
Understand the condition.Hear what it felt like.Know what’s evidence and what’s me
Illustrated portrait of Leemus, based on his 2024 diary

The person behind these pages

I’m Leemus.
I had questions too.

From New Zealand, with experience.

I lived with puberphonia. My voice affected phone calls, conversations in noisy places and how much I wanted to speak at all. I know how personal those questions can be.

Finding my lower voice gave me another one: why could I make the sound but feel so unable to use it? I recorded the awkward, frustrating process of making it familiar.

I built this to bring the explanations, the evidence and the lived experience into one place. Start with your questions. My story is here when you want it.

Read my story

First, let’s find the right starting point

What’s happening
with your voice?

Being unhappy with your voice doesn’t automatically mean puberphonia. These can feel similar and still be very different situations.

A starting point for reading, not an online diagnosis.

An anonymous profile beside layered paper rings, a visual metaphor for the unfamiliar resonance of a new voice
Normal on the recording.
A subwoofer in my head.

The question I kept coming back to

“I can do the voice.
Why can’t I
just use it?”

I’d play a recording and hear an ordinary bloke talking. Then I’d open my mouth and feel like I was doing an impression of somebody else.

Knowing it sounded fine didn’t make it feel fine. I spent a lot of the diary trying to explain that gap, including to myself.

These are my experiences, with possible explanations — not promises about everyone’s process.

From the actual recordings

A voice diary.
With the awkward bits left in.

Twenty recordings, made while I was figuring it out. There’s progress, frustration, a confused dog and quite a lot of talking in the car.

An audio recorder beside an open notebook on a warmly lit wooden table
20 recordings · February to March 2024
Entry 0107 February 2024
“It sounds normal in recordings, but it really freaks me out when I try and use it.”

From my first diary recording. Even the dog was looking at me strangely.

Listen to the difference

Same person.
Same passage.
Two voices.

Two readings archived on 5 February 2024. Listen here without leaving the page. Both voices are mine.

The recordings and their context

Archived 5 February 2024 · Same reading passage0:46

Lower register

Read the transcript

Automatic transcript, not yet corrected. May contain misheard words and strong language. This captures what I said then, not medical advice.

When the sun strikes raindrops in the air, they act as a prism and form a rainbow. The rainbow is a division of white light and many beautiful colours. These take the shape of a long round arch with its path high above and its two ends apparently beyond the horizon. There is, according to legend, a pot of gold at one end. People look, but no one ever finds it. When a man looks for something beyond his reach, his friends say he is looking for the pot of gold at the end of the rainbow. Although the centuries people have explained the rainbow in various ways, some have accepted it as a miracle without physical explanation. To the Hebrews it was a token that there would be no more universal floods.

Download audio · MP3

Archived 5 February 2024 · Same reading passage0:49

Habitual falsetto

Read the transcript

Automatic transcript, not yet corrected. May contain misheard words and strong language. This captures what I said then, not medical advice.

When the sunlight strikes raindrops in the air, they act as a prism and form a rainbow. The rainbow is a division of white light into many beautiful colours. These take the shape of a long round arch with its path high above and its two ends apparently beyond the horizon. There is, according to legend, a boiling pot of gold at one end. People look but no one ever finds it. When a man looks for something beyond his reach, his friends say he is looking for the pot of gold at the end of the rainbow. Throughout the centuries, people have explained the rainbow in various ways. Some have accepted it as a miracle without physical explanation. To the Hebrews, it was a token that there would be no more universal floods.

Download audio · MP3

Original audio, compressed for listening with no pitch effects. A personal comparison, not a diagnostic test.

Illustrative café scene with coffee cups, a jacket over a chair and softly blurred conversations
A coffee. A conversation.

Being heard in a noisy café shouldn’t have required this much thought.

Illustration of Leemus in a charcoal hoodie, looking thoughtfully at his phone in a parked car
A lot of talking to myself.

Sometimes I had a point. Sometimes I needed to hear myself work it out.

AI-created scenes inspired by the diary · Leemus’s likeness based on his 2024 recording

Illustration of Leemus in a motocross jersey, looking across the track with his helmet beside himOrdinary life was the point.

A little about me

I wanted to be heard.
Then get on with my day.

I’m from New Zealand. I like being able to have a conversation at the gym or be heard over a motocross engine. For years, my voice made things like that harder than they needed to be.

I’ve thought about my voice enough for several lifetimes. The point of changing it was to spend less of my life doing that.

Here’s the longer story
Hear the song I wrote about it
Leemus

What I felt. What the research says.

My story is one story.
The evidence matters.

The recordings tell you what happened to me. The research helps explain the condition and its treatment. I’ve kept the sources and their limits visible so you can judge both.

Clinical evidence

Research and professional guidance, with the limits beside the findings.

My experience

My recordings and memoir. What happened to me, as honestly as I can tell it.

Community experience

Other people’s accounts, clearly identified as anecdotal.

Still uncertain

Questions we don’t yet have enough evidence to settle.

I have questions about why changing my voice felt so uncomfortable. My ideas about identity and past experiences are personal hypotheses, not a confirmed cause of my condition.

Explore the research
Illustrative scene of two people talking across a table during a voice consultation

For the next conversation

You can ask for help
before you have an answer.

You can start by describing what your voice does, what hurts or feels difficult and where it gets in the way. This guide explains who can help and what to ask.

Find the right kind of help

The memoir

The longer
story.

The years before I pressed record, the things I avoided and the life around the voice change.

A few pages from the story
More to come.

I’m still adding to the guides and working on the memoir. There are a few more things I want to put into words.

Explore the finished guides